A guy is obsessed with scaring his grandmother...

Mikel is a Basque who hates "what is Basque" and decides to emigrate to Argentina, with the misfortune that he arrives in a community of Basque descendants from the interior of the country who live the traditions of their ancestors with great passion and who organize life in around his Basque club.

A hopeless young college student named Andy finds himself being haunted by his senile grandma. She's come back from the dead on a hilariously disastrous self-appointed mission to help him find love.

A young boy becomes trapped in the home of an unnaturally old woman who desperately wants to steal his youth.

The visual EP for the outtakes of JPEGMAFIA and Danny Brown’s collaborative album SCARING THE HOES.

JT must fix his grandmother's leaky sink while simultaneously keeping her oblivious to a deadly home invasion.

A documentary short film about the making of "SCARING THE HOES" by JPEGMAFIA and Danny Brown.

The show follows the hectic lives, romantic relationships, and love for food of three siblings, Han San Hae, Han Jin Mi, and Han Jung Shik, supposed modern-day decedents of the legendary Dae Jang Geum.

The director’s grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen. 　　“A play of light, shadows, and pixels, Alma Buhagiar’s film comes from afar, from a cinema now forgotten where a superimposition, a portrait dissolving into the landscape, could be suspense, climax, could be a story in itself. Beyond its rarity, the charm of this PATCHWORK is mainly the unspoken seriousness of this game of filming with the grandparents. Of course, showing their love is certainly a pleasure, listening to their spells is a curiosity, and making them dance in each other’s arms is pure joy. Still, it is just as certain that the three of them are aware they are staging scenes for eternity, equally concerned with the past, present, and future. In fact, it may be that this is what any home movie is doing.” (Călin Boto)